supported by 4 fans who also own “America on Trial”
each track uses the fact that its digital hardcore in its own unique way each time, rarely sounding similar to the other despite generally being noisy and in your face. i find this to be especially helped by Machine Girl's usage of unique samples or their own voices, which i can barely understand but honestly it really adds to the charm and aesthetic of this release. i know this album is 7 years old at the time of writing this, but it still holds up incredibly well. Molly
supported by 4 fans who also own “America on Trial”
Question: how can I like this amount of noises and enjoy listening to this album? Answer: you shouldn’t listen to it with your ears: I close my eyes and get dragged in this chaotic world where sounds seems to not collide but it is just an impression: on this record everything makes perfectly sense. losfastidios